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This story is about a young man. He worked very hard at his lessons. He was too busy to have a rest. At last, he couldn't go to sleep. Every night, when he went to bed, he closed his eyes and tried to sleep. “I just can't go to sleep at night. What should I do?” “I have a suggestion,” said the doctor. “Try counting numbers. By the time you reach one thousand, you'll be asleep. I am sure of it.”

The next day the man reached the doctor's office. “Well,” said the doctor, “how are you today? Did you try my suggestion?”

The man still looked tired. “Yes,” he said, “I tried counting one, two, three...up to one thousand. But when I reached five hundred and sixty-nine, I began to feel sleepy. I had to get up and drink some tea so that I could go on counting up to one thousand, but then I still couldn't fall asleep.”

6.The young man couldn’t go to sleep because he had worked too hard and became ill.

A.T

B.F

7.The doctor asked the young man to count numbers while he was lying in bed.

A.T

B.F

8.The young man returned to the doctor’s office the next day because he wanted to thank the doctor.

A.T

B.F

9.The young man counted from 1 to 569 and got up to drink some tea.

A.T

B.F

10.The young man in fact was not able to count numbers.

A.T

B.F

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第2题
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第3题
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What is the message of the story?
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B.Answering questions in class makes you better understood by classmates.
C.Language plays an important role in communication between cultures.
D.Mathematics helps to improve communication between cultures.

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第4题
Which of the following statements is right about the novelA Farewell to Arms?()
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B、The author attempted to write the epitaph to a decade and to the whole generation in the 1930s.
C、The author emphasizes his belief that man is trapped both physically and mentally and suggests that man is doomed to be entrapped.
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第5题
听力原文:F: I think the story is interesting, but Mary thinks it dull. Can you tell us how you like it?
M: I'm sorry I know nothing about your story.
what does the man mean?
A.He thinks it interesting.
B.He thinks it dull.
C.He hasn't seen it.

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第6题
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第7题
Here is the story about how the American civil rights movement started in the 1950s. Tired (1) s
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She found and sat in a(n) (7) seat in the back of the bus. The bus continued along its (8) The driver noticed that all the seats in the "Whites Only" section were already (9) . And more white people had just climbed (10) . He ordered the people in Mrs. Parks' (11) to move to the back, (12) there were no open seats and people had to stand. No one moved at first, but when the driver (13) at the black passengers a second time, they did what they were told. They all moved to the back — (14) Rosa Parks. She (15) in the prohibited seat. (16) , trouble occured. Ms. Parks was thrown in jail for (17) the law.
This (18) inspired the Montgomery Bus Boycott (联合抵制) of 1955-1956. It also (19) the 20th-century civil rights movement. Mrs. Parks quickly became the (20) of that day. She has been remembered as a brave fighter in the civil rights movement.
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第8题
It is acknowledged that the modem musical show is America's most original and dynamic contribution toward theater. In the last quarter of 20th century, America has produced large 【21】______ of musical plays that have been popular abroad 【22】______ at home. 【23】______ , it is very difficult to explain 【24】______ is new or 【25】______ American about them, for the 【26】______ are centuries old.
Perhaps the uniqueness of America's contribution to the 【27】______ can best be characterized through brief descriptions of several of the most important and best-known musicals. One of these is surely Oklahoma by Richard Rogers and Oscar Hamerstein. It burst 【28】______ popularity in 1943. Broadway audience and critics were 【29】______ by its 【30】______ , vitality and excitement. This "new" type of musical was 【31】______ as kind of 【32】______ theater in which the play, the music and lyrics, the dancing, and the scenic background were assembled not merely to provide entertainment and 【33】______ , but to 【34】______ in a single unifying whole to contribute to its unique feature. 【35】______ , it meant that the songs and dances should 【36】______ naturally out of the situations of the story and play an important part in carrying the action 【37】______ . In Oklahoma, an American folk-dance style. was organically combined with classical ballet and modem dance. It is fight to say that the musical was a brilliantly integrated performance by the talented dancers and singing actors.
Oklahoma also marked a new 【38】______ in the choice of story on which a musical is based. Writers and composers began to abandon the sentimentally picturesque or aristocratic setting 【39】______ more realistic stories in authentic social and cultural 【40】______ Oklahoma was based on a "folk" whose story dealt not only with young love but also with the opening of the American West.
【21】
A.number
B.amount
C.quantity
D.numbers
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第9题
To begin with, moral values in America are like those in any culture. But the stories and traditions that teach them are unique to each culture. Not only that, but culture has an effect on how people show these virtues.
One of the most basic moral values for Americans is honesty. The wall-known legend about George Washington and a cherry tree teaches this value clearly.
Another virtue Americans respect is perseverance. Remember Aesop’s fable about the turtle and the rabbit that had a race The rabbit thought he could win easily, so he took a sleep. But the turtle finally won because he did not give up.
Compassion(同情心)may be the queen of American virtues. In 1992, people in Iowa sent truckloads of water to help Floridians hit by a hurricane. The next summer, during the mid-west of flooding, Florida returned the favor.
There are more moral values honored by Americans. Courage, responsibility, loyalty, gratitude and many others could be discussed. But no matter how long or short the list is, moral values are invaluable. They are the foundation of American cultures--and any culture.
1.The morality that Americans honor most is () .
A.honesty
B. perseverance
C. compassion
D. gratitude
2.What conclusion may you come to from the paragraph?
A.Moral values for Americans are like those of other people
C B.Virtues of people are connected with certain culture
C. Morality of a nation has an effect on its culture
D. Stories and tradition can teach the people virtues
3.What is not described in detail in the text?
A.The story, Washington and a cherry tree, is often used to teach children to be honest
B. The story, the turtle and the rabbit, makes us determined
C.Compassion, sometimes recycles (循环) well among people
D.Moral values are the base of any culture
4.Which of the following has the closest meaning to the underlined word "invaluable"()
A.useless
B.valueless
C.priceless
D.unvalued
5.Which of the following might be the best title for the passage?
A.Moral virtues are worth nothing
B. Moral values are important
C.Nothing can take the place of moral virtues
D.Moral values for Americans

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第10题
Many people seem to think that science fiction is typified by the covers of some of the old pulp magazines: the Bug-Eyed Monster, embodying every trait and feature that most people find repulsive, is about to grab, and presumably ravish, a sweet, blonde, curvaceous, scantily-clad Earth girl. This is unfortunate because it demeans and degrades a worthwhile and even important literary endeavor. In contrast to this unwarranted stereotype, science fiction rarely emphasizes sex, and when it does, it is more discreet than other contemporary fiction. Instead, the basic interest of science fiction lies in the relation between man and his technology and between man and the universe. Science fiction is a literature of change and a literature of the future, and while it would be foolish to claim that science fiction is a major literary genre at this time, the aspects of human life that it considers make it well worth reading and studying ——for no other literary form. does quite the same things.
The question is: what is science fiction? And the answer must be, unfortunately, that there have been few attempts to consider this question at any length or with much seriousness; it may well be that science fiction will resist any comprehensive definition of its characteristics. To say this, however, does not mean that there are no ways of defining it nor that various facets of its totality cannot be clarified. To Begin, the following definition should be helpful: science fiction is a literary sub-genre which postulates a change (for human beings) from conditions as we know them and follows the implications of these changes to a conclusion. Although this definition will necessarily be modified and expanded, and probably changed, in the course of this exploration, it covers much of the basic groundwork and provides a point of departure.
The first point ——that science fiction is a literary sub-genre ——is a very important one, but one which is often overlooked or ignored in most discussions of science fiction. Specifically, science fiction is either a short story or a novel. There are only a few dramas which could be called science fiction, with Karel Capek's RUR (Rossum's Universal Robots) being the only one that is well known; the body of poetry that might be labeled science fiction is only slightly larger. To say that science fiction is a sub-genre of prose fiction is to say that it has all the basic characteristics and serves the same basic functions in much the same way as prose fiction in general ——that is, it shares a great deal with all other novels and short stories.
Everything that can be said about prose fiction, in general applies to science fiction. Every piece of science fiction, whether short story or novel, must have a narrator, a story, a plot, a setting, character, language, and theme. And like any prose, the themes of science fiction are concerned with interpreting man's nature and experience in relation to the world around him. Themes in science fiction are constructed and presented in exactly the same ways that themes are dealt with in any other kind of fiction. They are the result of a particular combination of narrator, story, plot, character, setting, and language. In short, the reasons for reading and enjoying science fiction, and the ways of studying and analyzing it, are basically the same as they would be for any other story or novel.
Science fiction is called a literary sub-genre because ______.
A.it is not important enough to be a literary genre
B.it cannot be made into a dramatic presentation
C.it shares characteristics with other types of prose fiction
D.to call it a "genre" would subject it to literary jargon

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第11题
The number of people in the U.S.who choose not to marry is growing every year.By 1996 about 25 million people over the age of 21 years were living alone.50 years ago this number was less than 2 million.One reason for this is because people are getting married at a much later age than in the past.The average age for men is now 27 years.For women it is about 25 years.Another reason is the increase in the number of divorces.
Living alone has become more acceptable in American society.In the past people sometimes think those who lived alone were a little strange.These days,however,several of the most popular TV shows tell the story of men and women who can't meet "the right person" and who plan to be single forever.Many such single people (especially women) feel that they are more free to pursue (追求) their careers (事业) than those who are married.In a way these people are married to their jobs.
1.About 23 million people over the age of 21 were not married in America by 1996.
A.T
B.F
2.Most of men usually get married at the age of 27 in America.
A.T
B.F
3.In the past,people thought it was impossible to live alone.
A.T
B.F
4.Some people in America wouldn't like to get married,because they can't meet "the right person".
A.T
B.F
5.More and more people in the U.S.choose not to marry.
A.T
B.F
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